The Ultimate Travel Filmmaker's Kit

The Ultimate Travel Filmmaker’s Kit

Travel films are becoming ever increasingly popular these days (See 5 Reasons Why You Should Start Making Travel Films). With technology getting cheaper and better every day, the choices are endless and sometimes, overwhelming. There really is no right or wrong combination of gear as it just depends on your style and needs.

But we are often asked what’s in our camera bag to help us make our growing list of award winning and internationally featured travel films. Therefore we’ve created what will be a constantly updated list of what we are currently using.

DISCLOSURE: As an Amazon Associate we earn from qualifying purchases.

1. SONY A7III - This mirrorless DSLR camera is the perfect balance of price, size and features. Its small size makes it a less obvious target to thief and gives you the perfect balance of performance, features all in a packed into a small, lightweight body.

2. SONY A7SII - This has become my backup camera. If you can afford it, I can’t stress enough the importance of traveling with two cameras. If one gets lost or breaks you will be left with nothing to capture your memories or finish you film. This camera is called the “king of low light” for its superior low light performance over any other DSLR. Although it lacks the drastically improved AF-C of the A7III, this camera is still a professional industry standard and my go to in low light situations.

3. SONY 16 - 35mm f/2.8 GM - This is probably my most used and versatile lens. With a great focal range and a fast f/2.8 aperture, the lens rarely comes off my camera. If the price tag of the f/2.8GM is too intimidating, an alternative is the cheaper f/4 version.

4. SONY 55mm f/1.8 - This is probably my second most used lens. Fantastic for portraits and great bokeh, it’s just enough zoom for some compression but also wide enough to be useable in most environments.

5. Batis 85mm f/1.8 - This lens is an absolutely beautiful b-roll and portrait lens. Rarely do I use this on a gimbal as the telephoto is too extreme but portraits and bokeh look absolutely beautiful with this lens.

6. Ronin S Gimbal - The Ronin S is my current gimbal of choice for it’s features and weight limit. Although larger than I’d like and not the easiest gimbal to fit in your camera bag. It’s easy customization via the app and build quality are outstanding.

7. Zhiyun Crane v2 - This was my main gimbal until I got the Ronin S but now it spends most of its time at home. It has a lighter payload which can’t handle heavy lenses like the 16-35mm GM but it’s smaller than the Ronin S and will fit in my camera bag.

8. Mavic Pro - Although I still travel with the Mavic Pro, I recommend you get the new and drastically improved Mavic Pro 2. If you need to save a little, the Mavic Pro is still a phenomenal drone that will fit in your camera bag.

9. Accessories

   1. Batteries - You MUST have extra batteries. Be wary of third party batteries as they can often times be deffective or even cause harm to your camera. OEM batteries cost much more but it’s not worth the risk of damaging your camera going with generics.

      SONY: Thankfully the battery life has improved on the newer Sony camera’s but you should at least have one backup to get you through the day.

      MAVIC PRO / MAVIC PRO 2: I’d recommend having at least two extra.

   2. Fireproof Battery Bag - Some airlines have battery restrictions so placing your drone batteries in a fireproof bag can insure they aren’t taken away.

   3. ND/UV Filters - Cut down on light and protect your lens.

   4. Microfiber cloths - These are a must to keep your lenses clean

   5. USB Card Reader - If you have the Mavic Pro you’ll need a card reader to download the footage.

   6. Travel Hard Drive - Don’t forget to have a place to backup your footage. I’ve been using these hard drives for years and have yet to have one die on me.

   7. Sony Battery Quick Charger - If you have one of the newer Sony Alpha’s that use the NP-FZ100 batteries, you’ll want a quick charger as these things can take up to five hours to charge internally using USB.

   8. Power Converter - It’s not just about adapting to the right country plug, it’s also about converting to the right voltage (220v, 110v) so you don’t blow your gear!

10. CineBags CB25B Revolution Backpack - This has been my main camera bag for years now. With room for two camera bodies, multiple lenses, my Mavic Pro, a gimbal (depending on model) and my 15” laptop, means I can fit all my expensive gear in the planes overhead and not risk anything being stolen or broken.

The CineBags CB25B fits a lot of gear. Featured here: 2 Sony Alpha cameras, 3 lenses, Zhiyun Crane v2 gimbal, and DJI Mavic Pro drone, plus room for batteries, accessories and 15” MacBook Pro.

---

LEARN HOW TO MAKE TRAVEL FILMS

Want to make travel films but not sure how to begin?

Nathaniel Connella is an award winning professional travel filmmaker who has been featured by National Geographic, BBC Travel, Lonely Planet and more. His eBook titled, ‘A Beginner’s Guide To Travel Filmmaking’ is an easy and to the point read that explains all the essential tools and ideas you will need to take your travel films to the next level.

Available for purchase HERE

I Dream of Ecuador

This film was made as a proof of concept for a tourism campaign that never came to be. Compiled from b-roll from another shoot, a script was made and the film was edited to hopefully reshoot, with better logistics, storyboarding and planning. Despite its​ non-perfect execution, I like this film because I love Ecuador and I think a lot of people don't realize​ how much this country has to offer.​ The script was crafted as a love letter to this country and is supported by imagery that hopefully shows this as well. Music for this film is provided courtesy of our subscription with MusicBed. Almost all of the songs to my award-winning films have come from them. If you need music for your own videos, get a free trial here using this link! http://share.mscbd.fm/thetipsygypsies

LLAMA LOVE

High in the Atacama desert of Chile, there is a place... where you can have your very own llama... and take it for a romantic sunset walk.

TEMPLE OF THE SUN & MOON

We had a private tour of the amazing Temple of the Sun & Moon in Trujillo, Peru. No one had any interest in excavating these important archeological sites until private funding came along in recent years. They’re still restoring and discovering new things here although a lot was lost to colonial treasure hunters centuries ago. The Temple of the Moon was used primarily for religious purposes including human sacrifice and has these beautiful colorful reliefs throughout. The before and afters of this project are pretty amazing. You never would have known any of this was here...

NORTHERN PERU

Every tourist knows about Lima, Arequipa, Cusco, and the Sacred Valley, but not nearly as many people make the trek to Northern Peru. Although you won't see as many iconic sites we found it absolutely worth the trip. From Amazonian lush jungles to the misty highland mountains that touch the sky, all the way down to the coastal deserts. We spent countless hours driving between destinations but the view was always spectacular. Here is some B-Roll we shot for the tour company, Kuoda Travel.

Are Companies Like UNILAD Adventure & Must Do Travels Bad for Content Creators?

If you're a travel enthusiast and on social media, there's a good chance you're a follower of at least one of the digital media platforms known as UNILAD Adventure and Must Do Travels. 

If you aren't, in brief, these are companies built entirely around filtered self-submitted content, combined with soliciting and asking travel bloggers, filmmakers, and photographers to provide them for free, with travel inspirational content that they can then re-edit if they wish, re-label, and share as their own for profit, and in trade, the content provider will receive credit in the comments (or if they're lucky, the post description) and in theory, drive traffic to the content creator. 

These digital media platforms have millions of travel-hungry followers who eat up the material these "regurgitators" provide. According to Cityam.com, "Between June 2014 and March 2015, UNILAD recorded a turnover of £377,727". Forbes during an interview with founders Liam Harrington and Sam Bentley in 2016, learned that UNILAD can charge advertisers up to £40k for an original branded video.

We couldn't find any financials for Must Do Travels but it is a for-profit business and its follower base is a million and a half more than UNILAD Adventure at the time of this articles writing. 

Needless to say, these kids have built fantastic little empires for themselves, by doing what? By sharing content they paid nothing for. Quite brilliant if you ask us. 

So is this good or bad for content creators? Let's take a look!

In December of last year, both companies reached out to us, asking to share an excerpt from our trending film Rhythms of Peru. Excited about the possible of the publicity and potential follower growth to our blog, we agreed. A few days later, their mutilated and rebranded molestation of our precious film material was released, and we can now confidently say the pay off was... less than lackluster. "Well, your content must have sucked!" you'll say. "Maybe it just wasn't popular enough!" you'll shout.

We'll let these screenshots speak for themselves:

A huge success!!! A job well done, The Tipsy Gypsies! So after 1.1 million combined views, our Facebook must have caught fire right?

Let's take a look!

From December 11th, the date of the first publication, to December 18th a week later and well past the life cycle of this type of content, we had gained 512 followers. A descent growth you might say for one week's work! "Tragically", we had also received a Vimeo Staff Pick for Rhythms of Peru that same week, and every time we get a Vimeo Staff Pick.... up go the followers. Unfortunately, there's no way for us to collect the data on the source of each new follower but it can easily be assumed that these new followers came from multiple sources. Later on we also gained over 1000 followers just by uploading and sharing Rhythms of Peru on Facebook ourselves and letting it get a virus... we mean go viral!! Way more than UNILAD Adventure and Must Do Travels gave us combined.

On top of that, when Must Do Travels first shared our video, they didn't even credit us as promised and it wasn't until hours later when we noticed, and the video had been liked and shared thousands of times before they corrected it. I spoke with the founder of Must Do Travels after the incident and to his credit, he seemed extremely apologetic and promised if we shared more with them, it would be done correctly. Which in our eyes is basically the equivalent of saying, "We were going to pay you $1000 for this job, but we forgot half the money at home so here's $500. But on next job, we promise we'll pay you the full $1000!". If your only method of payment is a credit, you have to get that right every single time and we talked to multiple people where this was botched. Once the cats out of the bag, there are no re-does. 

And this shows why the credit-as-payment system doesn't work. The fact is, 99.9% of viewers will watch the video, like the video, and share the video, but only .1% are going to see your name, click your name, visit your page or wall and then if you're lucky, like or follow it. This leaves UNILAD Adventure and Must Do Travel receiving 99.9% of the benefits of your content, FOR FREE! 

The largest complaint we heard from content creators is that these sites aren't even properly crediting them. While this video received more than 1.9 million views, the content creators credit can't be found anywhere. Not on the video, and not in the video description. The credit is buried in the comments as with the majority of other videos. Ours was the same until we demanded they change it.

Must Do Travels claims they care deeply about their content providers. Yet one filmmaker reached out to me, sharing that his film had been featured on Must Do Travels without his consent. It turns out some unknown person had submitted it as their own and Must Do Travels accepted this submission without question or proof. Their response to the filmmaker after plagiarizing, reaping the benefits of 190k views, and not even crediting the actual creator was,

"I assure you that we do not rip off filmmakers, as we are filmmakers ourselves and actually only share other people’s footage who have quality work and willingly ask us to share that on their behalf to help them grow awareness of their own fan pages or professional services."

Were there any repercussions to Must Do Travels or compensation for the hard-working filmmaker? Of course not. Because these companies are completely unregulated or held accountable. They did eventually agree to take the film down.

So what's a model that could work? Well, we can tell you that there are other sites just like these two with the same travel focus, same style of videos, same millions of followers, and they pay their content creators. Is it a lot? No. About the price of 1 1/2 clips from our stock footage business, for a polished one minute video. But it's something. It's a gesture. 

Which leads to our final point. Whether it be small pay or no pay, it's our choice as content creators right? Whether to share or not to share. None of these sites are breaking the law (aside maybe from when they share content without proper permission... but hey, that’s just a mistake right?) So the final question we want to ask the travel community is...

just because it's legal, does it make it right? 

Just because someone who spends thousands of their own dollars/yen/pesos... on travel and equipment agrees to create content for these companies, for free in hopes of a few new followers... does that make it okay? Travel content creation is already a hard enough business to make a living at, so do we really need some of the most popular travel influencers in the world encouraging the idea that our material isn't worth anything?

Ultimately this is bad for everyone. If content creators can't find sources of revenue, they're ultimately going to stop creating content. Although we would never encourage anyone to try and make a full time living producing content for these types of sites, they can potentially provide some additional income. 

An example you say?? Why sure! We recently had some extra footage, some free time while resting in Quito, made a little video for the travel platform TasteMade Travel, and guess what? Not only were we credited...

we were paid!

Another media platform doing it right, would be Passion Passport, who makes it their main goal to focus on and feature content creators when sharing. 

Not only do they feature the content creator prominently, they typically don't re-edit the original material, providing it as the content creator intended.

We were not paid for sharing our film with them but still found it completely worth the trade.

Therefore, there are business models that work. Models that are mutually beneficial, but when platforms like UNILAD Adventure and Must Do Travels continue as they do, encouraging their type of "business" model, they are setting a terrible industry standard for what our material is worth... 

nothing.

---

FINAL NOTE:

After reaching out to Must Do Travels and UNILAD Adventure for comment (UNILAD has not responded to our requests), we began an email discussion with Steven Kenniff, the founder of Must Do Travels. Although our opinion still stands about the previous and immediate state of these companies, we were really impressed with Steven's engagement with us and what felt like genuine concern and an interest in improving his company to be more beneficial to his content providers. He claims they are already implementing some of our suggestions and are currently working on several ideas for this year that could include a form of payment for at least select content creators.  Therefore, we feel optimistic about Must Do Travels future but we can't comment more on UNILAD Adventure as they won't speak with us. Despite the many issues discussed in this article, we are actually rooting for these companies and want to see these platforms reach their full potential: continued success as a business, but also a respectable and profitable place for professional content creators to contribute. 

Having said that, this is, in the end an op-ed, and just one blog and two bloggers opinion.

If anything in this article resonates with you, offends you, or you find it a worthwhile discussion, please consider sharing your opinions or experiences in the comments below and also consider sharing this article with friends and colleagues so together as a travel community, we can keep this conversation going and maybe, just maybe... get them to see the light.

---

CREATOR COMMENTS & COMPANY RESPONSES

We reached out to content creators who have shared with either UNILAD Adventure and or Must Do Travels. The only criteria was having more than 500k views for videos or 30k likes on photos.

Below are their opinions as well as An official response from Must Do Travels. UNILAD Adventure did not respond to our multiple requests for comment:

(To protect the privacy of the content creators, no names have been provided)

Travel Filmmaker

“It’s like expecting to get followers for your broccoli farm because a popular restaurant uses your produce in their salad.”

Travel Filmmaker

"Before editing and sharing this video, they asked me my permission. I gave them but I wanted to have a link to my youtube channel. I thought they were going put it in the description of the post. What a bad surprise when I saw that the link was only in comments... Indeed, this post didn't increase my views on my original video. But it was an honor for me to be published by this page."

Blogger

"Honestly, I don't think people really look to see where the pictures or videos came from, so no, I don't think it made a difference at all in traffic on any of my sites."

Bloggers / Travel Filmmakers

"We think that submitting your work or letting platforms with millions of followers use your content for free definitely has some benefits, however there are a few issues with the whole idea of claiming others work as their own. If they do choose to share a piece work then it can definitely receive many views, comments and/or shares that it otherwise wouldn’t have gotten. One of the annoying issues though is crediting - to be honest, most platforms suck at it! We really had to fight with one platform to make sure that our credit was given in the description of the film and not buried in the 3rd or 4th comment that no one was ever going to find, let alone read... After being shared on large platforms it brought us a minor boost in followers - nothing to write home about though. But, it does give us creditability when we are discussing a project with a client and we can say that our content has received over a million views across different travel platforms. We liked the way Matador Network went about sharing our work. They offer some money for a license of parts of your film, and although it is not a huge amount of cash, it shows that they understand that people work hard to create the content and deserve at lest some sort of renumeration."

Travel Filmmaker

"When I was just starting I was absolutely stoked to be featured anywhere and I let everyone do it no matter who it was. Maybe it helped maybe it didn’t. But nowadays I’m really particular about what pages I post my stuff on. Because on one hand, these “feature pages” are just getting loads of free content. Content that would cost thousands and thousands of dollars to produce on their own. They are using the system to their advantage hardcore. And as much as I don’t agree with that and I’d never do it myself, you have to see the other side. As a creator, when unilad shares your video you are almost guaranteed a half a million views on a video you created. This can be then used to pitch to other brands and leveraged to help you grow your brand. But not all the content creators know how to do that, so the opportunity goes largely unused. I think it would make it a lot better and a lot more incentivized if these huge companies started paying small amounts to the creators. Even throwing someone $20 to some of these smaller creators would go a long way. Seeing as they are making hundreds (sometimes thousands) of dollars from each video that’s the least they could do. As much as I don’t agree with it I can’t deny I still do it from time to time. You just have to know how to leverage that and come away on the + side of things"

Travel Filmmaker

"...my opinion is that we do get something in return even though it’s not money. Exposure. And something to add to our portfolio... Keep in mind I’m very much a hobbyist, people doing this professionally may have a totally different outlook. However, I don’t think posting on these travel websites is a good way of making money because the cost involved with travel is massive and the pay off is small."

Must Do Travels:

"A few of my friends and I started Must Do Travels about 18 months ago with our own footage of various destinations that we had traveled to or lived in, and from there we started to get approached by other content creators to collaborate on their footage and to promote their personal blogs/websites/social profiles, etc. Much like how you had reached out to us in hopes of having us consider your personal footage. Since we saw that relationship as a mutually beneficial one, we developed a standing partnership with many high quality content contributors that enjoy seeing their work published on our page. It gives many videographers a chance to reach a larger audience with their work than they might otherwise be able to reach if they were to just publish it on their own, especially when they may just be starting out.

Our small team still continues to travel on a regular basis to film locations that we enjoy, or that we have always wanted to go to and needed a reason to get out and do it. That’s why we formed up in the first place. Sometimes it feels like we are always on the road, living out of a suitcase or backpack.

I think we are quite a bit different than what many people might have in mind. Unlike some of the other travel sites and pages out there that I am familiar with, we do not take ownership of your content as a part of the submission process. We know the time and work that goes into filming/editing/traveling and all that, and wish to allow all contributors the right to retain all ownership of their hard work. We simply agree to share the ones that we enjoy the most. If you check the terms and conditions of many of the other pages out there who work with other content creators you will see that they often take exclusive ownership of all content submissions (meaning that they own the video or photo from that moment forward, and you no longer own your footage that you submit for consideration to them), whether they choose to use the footage or not, and often only compensate when and if they do publish the footage online.

Many of the contributors that we work with prefer our type of arrangement, as they are able to not only get distribution and promotion of their content at no cost to them, but they also retain the rights to their hard work that might otherwise not be worth giving up for the chance to possibly earn a small portion of money that wouldn’t even cover the cost of producing the footage in most cases.

We do not run ads in tandem with our content, which means that we do not generate an income off of the video views that our own content or other submitted content gets on our page. I think that the general perception out there might be that if you have a lot of views online you must be making a lot of money, but when there are no ads available to show along with the content on Facebook at this time. We also do not have banner ads on our website articles, so we don’t generate income from that web traffic either. Likewise, we do not have a television channel or a print magazine on the shelves of book stores to generate any sort of revenue. If it wasn’t for our love of travel and being videographers and video editors too I don’t know if we would still be doing it. It’s definitely a labor of love!

In addition to what we film on our own and what is submitted to us unsolicited, from time to time we come across really cool videos online when we are looking for personal inspiration on where to travel next, or get recommended a cool video on YouTube after we just watched another similar video. In those cases we may reach out to some of those content creators to let them know that we enjoyed their work, and invite them to submit their content to us if they wish, so that we can edit it and share it and then link back to their profile or wherever it is that they prefer us to link back to from the video post. Some people never respond to us for whatever reason, and some do.

I wish we could guarantee that every time we shared a video on behalf of someone that it was going to generate some specific level of success for either of us, but we are ultimately not in control of how many views, likes, shares, comments, link clicks to their profile, followers, etc. that any given video can generate. We always hope for the best, and position the content in the way that we feel it will have the highest likelihood for a successful outcome."

UPDATE AUGUST 2019:

Content creator Thomas Norway wrote us:

Thanks for a very nice post, and I agree fully with your opinion. As a content creator myself, I have had similar experiences. Sites like Unilad Adventures and Must Do Travels is great for getting views to boast about, but little more than that. I recently submitted a video to Must Do Travel. After a week I had more than 120 000 views which I felt very good about. However I gained very few followers as a result of this. As in your experience I was credited only in the comment section and not in the post description, which was a negative surprise for me. Furthermore they included my Instagram name in vertically in the upper right corner of the video, which is not very visible on a mobile format, and the logo is much smaller than Must Do Travels. Given mr Kenniffs comments here I would have expected this situation to change one year down the road.

HOORAY FOR CHILE!

Who loves Chile?!!! Noooooo, we don't mean the food you hungry dumb dumb (although we're always down for a nice bowl of those tasty beans😋). We mean the country!!! Wine, llamas, beaches (umbrellas included!), volcanoes, unbelievable martian landscapes and so much more! Our only complaint was that our 10 days there wasn't enough for this fabulous land. If you haven't been, the worlds narrowest country is a must for your next SA visit!

THE MAGIC WATER CIRCUIT

Lima has an amazing fountain and light show that goes on three times a night, five nights a week. In fact, this park holds the Guinness Book record for the largest fountain complex in the world! At about a $1 for the ticket, this evening activity is a must for any Lima visit!

Music provided by our talented Peruvian friend and musician, Tayta Ed Bird Please check out his SoundCloud page as his music is fantastic! https://soundcloud.com/taytabird

SHERA

Fresh snow in Poland means it's time to get out and explore... at least it does when you're a dog named Shera...

ʍɐsɹɐʍ / warsaw

An afternoon wandering around Warsaw in December, 2017.

POLAND: WINTER WONDERLAND

We were home in Czestochowa, Poland visiting my wife's family for Christmas and there was a big snowfall one day. Decided to head out to the countryside and get a few shots...

RHYTHMS OF PERU

From the heart of Lima to deep into the Sacred Valley, 'Rhythms of Peru' takes you not only to Peru's most iconic, but far beyond to experience Peruvian life off the tourist path. Filmed over the course of a month, and in collaboration with several local organizations, my wife and I were able to meet some really amazing people and participate in some really fun events. Although we visited some really amazing places, this is by no means an all encompassing portrait of the country. We did not make it to the north or the amazon this trip. I would love to go back and film a part 2 at some point. I'd like to give a special thanks to Kuoda Travel whom without their help, this film would have not been possible. 

YELLOWSTONE

HONG KONG

We spent 4 days in Hong Kong and although the rainy weather was beautiful in the city, it made shooting a bit difficult so I didn't get as much footage as I hoped. Regardless, we had an amazing time and can't wait to visit again.

UNDERWATER LOVE: VIDEO

2 days on a liveaboard, diving off the coast of the Similan Islands in Thailand. What an amazing experience! Special thanks to Pirate Divers in Khao Lak (piratediversinternational.com) for the great deal.

RAJASTHAN - The Family India Tour

Nate's sister and her boyfriend Kion came to India to visit us for two weeks. Our tour was Mumbai - Udaipur - Jodhpur - Jaisalmer - Jaipur. Unfortunately we all spent more than half of the trip sick. So we missed some sites and opportunities. Luckily in the end everyone got better and we still managed to have some fun. Here are a few random clips I managed to get between trips to the restroom...